Still don’t know what Love means,
even after all these years.
When I was a kid, I thought
it was something like devotion,
like I was devoted to my parents.
But it wasn’t really.
As a teen I thought Love was
something like that emotional,
romantic and sexual connection,
that feeling of excitement
you experience when you touch,
or you get lucky enough to
press your flesh against
(or some other preposition)
the object of your affection.
As a father, it was all about
providing for and protecting
those people you’d call my loved ones.
I was never too good at any
of what might be Love, except
what actually could be obsession.
Maybe Love is all those things,
but I still don’t know for sure.
I am sure it’s something close
to what my brown-eyed girl gave me
just about her whole loving life.
But that’s dogs for you.
I took a line from Ray LaMontagne’s song Jolene and Annie Fuller’s prompt photo, closed my eyes and just wrote. The results are iffy, but the experience of discovery is always a blast. You might say I love it.
I found this faded old photograph
at the bottom of my desk drawer.
It captures you in a joyful moment,
as you turned and saw me
with my camera. I’m unsure
which of the two made you smile.
When I took this fumbling exposure,
I think you were pregnant,
which might explain your glow,
the red in your cheeks,
the beaming from your eyes.
I think that’s a gift women
take on to illuminate their way
across that threshold to becoming
a mother. It’s the only photo
I have of you radiating your
womanhood like that. I never
took one of the next child and you.
By then, the space between my heart
and mind had grown so vast, I so lost,
your incandescence would be wasted
signaling me through that darkness.
That was the apogee of my journey;
today I’ve swung back closer to
the sun. But time and circumstance
have extinguished anything like
that singular warm glow. Maybe
that’s why I kept this image
when I’ve lost so many others.
It echoes a time never again
will I see, when I was blind
instead of sightless, and you
wore joy like a red-flowered dress
that’ll always fit perfectly.
Took four random words — pregnant, threshold, echo, space — and built this old-school Storyteller/Poet Me first-draft house of sticks in about twenty minutes. For whatever reason, Jackson Browne’s “Fountain of Sorrow” came to mind as I started stacking. It’s better than a house of straw, but I believe a good huff and puff could topple it. So you’d better read it quick, because I feel an editorial sneeze — or hot glowing ember of Delete — coming on.
I once held almost religious
reverence for the enchantment of dawn.
How some metaphysical Firestarter
struck together his celestial
flint and steel out of sight
over the horizon. From that,
some great spark flew into
the dried ball of yesterday’s
unfulfilled dreams, setting them
aglow in smoky possibility,
shrouding the mystery of can I,
should I, why and why not.
I’d awaken to this magic
and breathe into the east,
to give flaming life to
the tinder of my today, this
communion of maybe with the
the solid kindling of certainty.
Now, dawn’s become the crawl
of horizon and me beneath Sun’s
unrelenting glare, wide-eyed,
unblinking and judgmental,
unlike serene Moon’s monthlong wink.
Staring at the birth of this morning’s
slow burn, I realized my dreams
will always be nothing more than
the fluff of Firestarter’s tinder
and dawn is another signal of
what’s left going up in smoke.
It is a painful thing can we do
to one another, this coexistence,
this dissonant linking of one
with a different kind of other,
this trust-but-verify alliance
of two souls who would love to be
in the state of this painful thing
we can do to one another,
Maybe opposites do attract,
clanging together with a magnetic
melding of positive to negative,
hard to pull apart, though
easily turned to repulsion
with just one turned back.
It is a healing thing we do
to one another when we lie
side by side, my positive
by yours, negatives turned
upside-down, out of sight
under the covers.
All that’s required to maintain
this alignment of sacred coexistence
is a harmonious linking, a common
face-to-face faith of soul-to-soul,
where heart-to-heart beat soft
against one another, holding, healing,
loving so strong it hurts.
From inside the little house
within the suburban snow globe,
someone’s given us a good shaking.
Our paper weight neighborhood’s
been plopped onto a potter’s wheel
and is riding a most vigorous spin.
Outside, the landscape’s molding
into plaster life masks of houses,
the road. Cars and trucks
idly shiver beneath the skeletal
fine-limned trees that stand and sway
as if stroked in India ink upon
this immaculate gesso. Or at least
that’s what my bleary eyes see
of our homes enclosed within
this seasonal table top tchotchke.
I’m told there’s an escape-hatch
equinox whose surname connotes Green
over the horizon. But the horizon
lies way past anything I can see
through the snow-smoky white winds
spinning around me while I sit
staring out the window in
the little house within the snow globe
on the desk, where the dizzy poet
pens a blizzard named Stella’s biography.
From that first moment he saw her,
he was sure.
Or so his story goes.
He envisioned her as Hesperia,
nymph of incendiary sunset, while
the deck beneath him soared
and dipped upon the swells
and troughs of uncharted oceans.
He never admitted this to her
until years later, another
of his rosary of miscalculations.
But, to the fearful man, merely
tossing adrift on her sensuous sea
brought such exquisite terror.
After the truth escaped him,
and she warned him off
her shameful shallows,
he dove headfirst anyway and
dashed himself upon the rocks.
The death of his hapless hopes
in her storm-tossed seas
didn’t kill the dreamer, though.
Only as a castaway did he discover
she actually was the red sky at morning
and he just another wrong-way
mariner lost to the vast
emptiness, steering his course
without compass, so dead wrong
by his own dead reckoning.
Free written poem based on the following quote from Annie Fuller by Jay Asher for her Writing Outside the Lines Challenge:
“… know me …
don’t just see me with your eyes …”
Perhaps this lost soul should have looked beyond her sun-bright gifts and into her shadows to ensure his bearings before he was lost.
One dark day, you’ll discover
the forehead fits perfectly
into the palm of one’s hand,
as if the Master behind the skin
and bone designed it for just
that purpose. That Master will come
searching for solace and sanctuary
when it no longer can find any within.
But, it may find nothing there
but idle thoughts, calloused responses,
and more deep depressions.
Perhaps it will detect a tremor
or numbness in the caress of its servant
so long ignored and abused.
I suppose one really should expect,
after all the brooding over its
servant’s imperfect interpretations
of one’s heady imaginings, to find in those
final downturned and overcast days
the stony slag in a Devil’s Workshop
of your own forging?
Free write blather, inspired by my pressing of my uninspired head into my dry and arthritic hands. The perfectionist gets his perfect comeuppance.