Unrequited Love by Cold Tommy Gin
“What’s his name? he’d ask.
“Does it matter?” she’d say, losing focus
as she saw another’s perfection in her mind’s eye.
“No, not really,” escaped around his smiling shield.
Falling in love — which he felt was her
falling into obsession — was what she loved most.
“So he’s The One?” he’d say.
“Oh, yes. And he’s crazy about me,” she’d reply.
Reflexively, the corners of his mouth bowed up,
as he’d recall all the times she’d run to him
with that same expression he fell in love with
in sixth grade, flashing that same spark
that melted his heart, burning down his hopes with it.
He never thought to tell her the truth
each time she’d run to him like a little girl
excitedly showing a new doll to her best friend.
Because her best friend was who he was.
He couldn’t bear losing her smiling face,
the intimate warmth of how she’d whisper to
him, bringing to flaming life any embers
of his remaining hope, even knowing
they’d burn his heart to ash once more.
“Tell me about him,” he’d say, feeding
more fuel to the torch he’d compulsively raise
in these dark moments just to ensure
he’d be able to see the love of his life again.
An exhausting and exhaustive final poem on Day 30 of my NaPoWriMo poem-a-day challenge. I combined the two prompt sources one last time, using Robert Lee Brewer’s charge to write the title “The (Whatever I Want)” and taking off from that, as well as NaPoWriMo.net’s prompt to write a poem about something that happens again and again. Let’s just say they fell into my creative wheelhouse of steering through love, loss and the the shoals of what lies between. Thanks for putting up with my obsessions and writing compulsion during this month. Hang on tight and wish me luck, tomorrow starts Story-a-Day May.
They tick along in ten-counts,
multiples of what the romans termed X.
And everyone in the world speaks them
except me. They can tell you
the temperature in Istanbul even if
you can’t speak Turkish, let you know
how far you are from Sevastopol
even if they can’t read anything else
on that pole.
And they tick along in their petty pace
like some rapper’s stacatto stream,
a solo singer-songwriter’s dramatic dream
or Bill Shakespeare’s esteem
for the limping lilt,
the de-DUM, de-Dum, de-DUM,
of his princes’ pronunciations.
I can’t talk to you in any such metric,
for I am an American primitivist,
a poet who would fall flat on my face
if I tried, trippingly on the tongue,
my thoughts to express in centigrade, metres,
litres and pentameters. But free verse
I can write for miles, pour out in gallons
what I’ve heated to boiling at 212°F.
All the rest, as they say . . . is silence.
Poem #2 for NaPoWriMo Day 29 is a five-minute response to Robert Lee Brewer’s call for a metric poem. Herein, I spill what I know and feel about metric systems scientific, practical and poetic. Kinda.
Photo by Joseph Hesch © 2014
I can feel the breath on my face,
in waves as cool and metrical
as the current slaps the shore
in its Spring sprint to the sea;
or as warm and moist as a lover’s
sleeping against me on a summer night,
languid, as if waiting for me
to crack her still surface
as if it was ice, to entice those
ripples of movement that would
until coming to shimmering rest
like a sigh on the shoreline.
How many times have I wished
to float with her, letting her guide me
to her mouth, ignoring others’ views
of her boundaries conquerable only by
the arch artifices of arrogant men?
They’ve never appreciated her music
as I have, never watched how she reflects
whoever gazes upon her, be it the
drifting clouds above waving like flags
on her breeze-rippled skin, or my face,
still as a statue’s, as I seek answers
to questions I’ve never been able to ask.
It’s then I realize she’s done that
all along in her constancy, her depth,
her shallowness, her ever-open blue eyes
I’d fall into right now if not for the fact
they’ve absorbed me, absolved me first.
For Day 29 of my NaPoWriMo poem-a-day challenge, I was to take one of my favorite poems and find a very specific, concrete noun in it, then free-write associations – other nouns, adjectives, etc. Then I was to use that original word and the results of the free-writing as the building blocks for a new poem. The original poem I chose was perhaps my favorite, William Stafford’s “Ask Me.” For what it’s worth, this process is one I use all the time in writing new poems and stories.
Let’s clear the air,
let down our hair,
go on a real tear.
It’s time we dare
our secrets to bare.
Yeah, even go There.
When we were a pair,
not really, but somewhere
more than one and a spare,
I couldn’t help but stare
at that hot chocolate pair
of eyes you wear,
even when you’d glare
at me with your hair
on fire, temper aglare.
I was caught in your snare,
though you weren’t aware
of setting one anywhere.
So let me just declare
I never meant impair
our friendship so fair,
based on trust, a flair
for art and respect I bear
for who you are and ne’er
will forget the rare
thing we once did share.
Not true love, truest of care.
Better late than never (or, God forbid miss a day with only three to go). Life finally got in the way of art. Here’s NaPoWriMo Day 28’s piece, a poem in something resembling Skeltonic Verse, which I’m sure I screwed up. But I had fun running my version out with each line ending with a word rhyming with “air.”
He didn’t make a sound,
at least not one I could hear,
but the ruckus this pest raises
was like a crack of thunder in my ear.
You’d see him ramble from the kitchen
to dining, and then living room,
looking for a crunchy snack,
without even a hiccup of doom.
I tried not to wince when
I saw his nonchalant mien,
but he’d come not only for dinner, but for
every other meal, even those in-between.
See, it isn’t the taste of sugar
luring this intruder into my house,
he relishes the wood it’s made from,
chewing holes into it like a mouse.
So a hit man I called,
my whole joint to festoon
with a taste-free spray, which
put my fears of collapse to rest soon.
I’m relieved my guest no longer will dine
all around me, my home to lay waste. He
also won’t provoke the dawn wall-hammering
woodpecker, who finds carpenter ants so tasty.
The moral here, friends, if a moral’s your trick,
is don’t be so naive as I, a city boy so thick
I bought a home made of what builders term “stick,”
instead of like my old place, constructed of brick.
For Day 27 of NaPoWriMo, I combined NaPoWriMo.net’s prompt calling for a poem exploring the sense of taste with Robert Lew Brewer’s word bank prompt. In the latter I was to use at least three of the following six words in my poem: pest, crack, ramble, hiccup, wince and festoon. Only three, Robert? You know me better than that.
Also, I’d like to extend my thanks to NaPoWriMo.net, who named yours truly as its featured participant today.
When they finally discover my bones —
should the occasion ever arise
that a future someone stumbles upon me
while clearing a plot for Hydrangeas,
tomatoes or more bones —
when they crack through and find
the cracks I’ve put in this
old skeleton, will they wonder
what this being did to collect so many
breaks in his framing pieces?
Will they see the two scarred ribs
and know that each happened in
a different winter of my discontent?
Will they wonder over the dents and
cracks in the skull, and think it was
the castle keep of a warrior’s mind?
Or that of a poet who always tried playing
above his program weight, usually failed,
but never failed to try again?
I wonder if they’ll see my family placed
my coach’s whistle around my neck,
my tablet in one hand and this secret optimist’s
(broken) fingers crossed one upon the other?
What they won’t find will be any markers
of regret on this old fossil for any
of this busted crockery of mine left behind.
I gladly earned each and every one of them.
Day 26 of NaPoWriMo calls for a poem about what future archaeologists, whether human or from alien civilization, will make of us. I took that prompt it right down to the bones. My bones.
On its outside, it’s not much to look at, just
a wooden box, six slabs of worn, tan-painted plywood
held together by nails and a couple extra screws
I drove into it so it wouldn’t fall apart last winter.
Inside is even less impressive: just bare wood
bearing the stains of rain leaking within, as well as
the outline of the small ski slope that blows in
whenever the blizzards breach its ill-fitting door.
It all smells of damp domestic pinewood.
But inside that dark interior, new places visit me.
The bill for my car comes from Philly,
Bev’s anniversary card from Florida. The travel mag
teases me with views of Nova Scotia, a river cruise
on the Rhine and exploring the dusty red-gold
beauty of Arizona.
It’s an adventure each time I walk down
the driveway in my tiny suburban world
and reach into the vastly wider one stuffed
within its corners. I still get as excited as
the seven-year-old whose world didn’t extend
more than one block from our house on
Bradford Street in Albany. But inside, my
imagination still transports me as far as
these creaky old boxes perched on my lawn
and shoulders can take me today.
Day 25 of NaPoWriMo called for a poem descriptive of a small space. I chose inside my mailbox, which, while cramped, still transports me to places I’ll never set foot except in my imagination.