Say there, cowboy, heard you first herded sheep,
but soon enough moved on to real live beeves.
So how’d a kid with callouses that deep
learn to paint as well as a Hopi weaves?
Taught yourself since you were a sprout, you say?
I b’lieve you done good in learning that art.
Now you paint people and things gone away,
real cowboys and Indians, but with heart.
I like how you showed them Piegan fellows
on ponies galloping hellbent for meat.
Them bufflers, I can almost hear their bellows,
like when there were more of them than Blackfeet.
So you’re happy now that you’re in Great Falls
‘stead of wrapped in a blanket under stars?
Or d’you miss them days when the heifer bawls
as we drove ‘em to Helena’s rail cars?
I’d say you done well for yourself, Charlie,
got this fine house and a pretty young wife.
Beats pushing a plow though a field of barley,
but I still think you might miss our old life.
‘Preciate you painting my picture there,
though I’m on the wrong side of that tussle.
Bucked like a tenderfoot on that li’l mare
I believe was your show, Charlie Russell.
For Day 4 of the NaPoWriMo Poem-a-Day Challenge, the prompt called for a “painter” poem, where I am to take a painter and make him or her the title and subject of my poem. If you know me, you know my, ohhhhh, let’s say obsession with the American West. From when it butted up against my backyard in New York to what we now call the Old West. One of my favorite artists of that time is the great Charles M. Russell, who gave new meaning to the term “cowboy artist,” since he was both. This poem’s a conversation, one-sided at best, between an old cowboy chum of Charlie’s visiting him with reminiscences and maybe a slight bone to pick.