The two feet of snow
the length of December,
and now Winter looks
like Autumn from my window.
The great smoother
of Man’s and Nature’s
jagged angles has ebbed
its way back into the clouds,
leaving reminders of a job
poorly done collecting leaves.
But one can’t expect perfection
when you are, indeed,
And that is the lot
of the lone gardener,
the one who wields
the rake or the pen.
Or so I’m told.
I suppose I could go out
into the cold cold afternoon
to gather the leaves
that came after I put away
my toothy tools, just as
I suppose I could sit here
with a heater at my feet
and rake words into
this biodegradable bag
of free verse. Besides,
there’s no one looking
to collect any leaves
until March. Like no one’s
inside looking at poems.
The days fly by, and I don’t really know
where they light for the night when the lights fall.
Perhaps I’m just kidding old think-too-much Joe,
maybe days just fly, not roosting at all.
They do seem more tired with each rising sun,
as if commuting all night to meet dawn.
More likely it’s just me, too tired to run
from bed to life in its race to all gone.
I’d love if a day would choose to hang out
instead of just whooshing I know not where.
We’d take it slow, detouring his old route,
keeping Sun at my house tied to a chair.
Not letting it pass me by one more time,
I’d be seizing that day, and that’s no crime.
No woman could compare to you
as you lie here in my arms,
unafraid, soft, constant,
after I turn out the lights.
In the dark, we are both perfect,
not puffy here, saggy there,
bent weary by age and the tools
with which life writes history
upon our once smooth bodies.
No, you are still perfect to me,
still my muse of fire that would
ascend the brightest heaven
of invention., my beloved invention.
And while none can compare to you,
I wonder if you still might compare
to the you I hold so dear each night.
The you who will never return
the thoughtful touch, never reach
for me as I pull you closer,
The one who probably won’t compare
to the imagined lover who lies
there at the head of my bed
wrapped in cool percale or winter flannel,
waiting all day for my nightly embrace.
You will always be the dream
I never had, but always felt,
the one who heard the poetry
I wrote for you every night
in whispers penned loud
as a lover’s cry here
on this silent sheet of white.
Someday, I hope either you
or this pillow my call will answer.
Sorry I’ve been gone so long. It’s been a long, hard road to 2020. I hope to return to being the prolific and thoughtful writer you once might have enjoyed. The guy who would write poems like this…only better. Welcome back, my friend. Love you.
You think you know
who I’m talking about,
but I doubt you’re right.
You’ll say, “He’s going on
about me/her/us again.”
But you may be wrong.
I can’t say for sure myself.
I know you’ve been here somewhere,
since you left such a distinct mark
on my visceral poetic parts.
Bruise, scar, tattoo,
or something only I imagine?
Yes, no, probably. Who knows?
The question is, do you want these
to be about you? Do I?
Do you want to remain attached
to whatever it is containing
the emotion I never show?
Would you like to be the one opening
that little valve and releasing
the drips and gushes
with which I paint fantasies
too real to bear and realities
that can never be.
So if you don’t wish me
to write about you, don’t worry.
I’m not. But if you desire to be
remembered in a way so few are,
I’ll always hold a warm place
for your memory, my soul to keep.
I so wished to write a story today. Failed. So I just turned loose what remains of my scraggly creative wolf and he howled out this moonlit song. It’s not melancholy, at least. In fact, I think it might even be a little hopeful, Lord help me.
I always felt I was the one
discovered you out there in the aether,
while you were still gigging
never very far from Boston,
since you had to get the kids
off to school in the morning.
Yep, I was the one who heard
your ringing instrument with
a vague accent from the South side
of mid-America. Nothing like
your native Hah-vahd Yahd.
I downloaded all your freebies
and shared them with the ones
who counted and could appreciate
how you knew exactly what they felt,
as if they were the ones
scraping their chairs across
your kitchen floor, leaning in
while you’d try something new,
cut a demo, or poured
another cup of tea. Not coffee.
But I decided to let you go
after Nashville discovered you.
And I really got pissed when
Oprah told the world how she did.
What a silly, jealous man.
I guess I wanted to keep you to myself,
hidden like a whispered secret
beneath my headphones.
I still move my fingers to the chords
of the old songs when I listen
to them for hours on repeat.
But then, what’s one more time?
I decided to check in at Writer’s Digest’s Wednesday Poetry Prompt today. Especially since my mind’s currently incapable of finding inspiration on its own dime. The theme was a Composer poem, where I’d take a composer’s name, put it in the title and then let ‘er rip. I don’t know why, but I chose Lori McKenna, whose music I discovered online almost 20 years ago. You know, when she was still, as I said, gigging around Boston or so. The music was great. But her words!! I didn’t realize it back then, but the title cut from her second album, Pieces of Me, became an anthem of sorts for this past section of my life:
I have been a poet all my life
With really not too much to say
So you can push me anywhere you like
But you can’t push me away
My life is written down on papers in my room
And yours is bottled up somewhere
So I’ll send you letters from half across the moon
And it will cross your mind but you won’t dare
I used to understand its language.
But that was when the wind spoke to me.
Just like I used to understand
what you would said, when we still talked .
I’d hear you both strumming the air
in chords vibrating in frequencies
undetected by anyone else.
Then I’d transcribe what you’d say,
even the stormy messages
I never, ever wanted to hear.
But that was a long time ago.
Now I don’t understand the wind
and your voice lies mute to me.
It’s not that I can’t hear you.
Even in memory, I guess I’ve given up
trying to listen anymore.
It’s been four days
since the storm left
it’s two feet planted firmly
over the property,
standing there on the roof
and straddling the road.
And during that time,
it lost its serene demeanor,
aging with wrinkles, scars
and the spots that time
will paint on your skin.
But she who ordered the storm
to leave a guard on this realm
until told to stand down,
that is until the coming March,
has sent in a bit of reinforcement.
Silently, the new minion
fills the gaps in the line
left by a few days where
the sun made its counterattack.
And now, with two inches of reserves
softening the uglies
that follow an early snow,
all’s quiet on the northern front.
At least until, I’d suspect,
some ranks of sun and rain
make this army of white
run down my roof
for the storm drains.
I can wait until
This study in gray and white – the poem, not necessarily the photo – is the winter view I have from my writing desk in the basement – my Lair. It’s just a gray wooden shed with some pines and maples holding up the sky behind it. But when the snow decides to fall, it becomes something magical, where the dull and plain become something to write about. At least to me.