It is a universal truth that someone
who looks like me, talks like me,
fights sleep like me, falls in and fails
at loves like me and sits so often
alone like me can never be truly happy.
Happy is relative, something that
everyone feels they know, whether
they know definitive happiness or not.
It’s a construct where a human brain
imbibes endorphins, creating an emotional
and physical state of great comfort and pleasure.
I can’t recall of late tripping
with Terpsichore to that tipsiness.
But I do know I am least unhappy when
I’m here talking to You,
whether you know that or not.
Yes, YOU. To you. As closely as I
can get without reaching out and
touching, since warm on warm
must remain warm words, words that
I hope you might find…touching.
Perhaps they’ve made you less unhappy
as they did me while I wrote them,
whether I knew it or not.
I’m still sinking, capsized and taking on this painful emotional goo. But I seem to be able to say something, even if it’s covered in some other kind of goo, when I put you on the other side of this screen, as I am behind yours. And, in that, you (yes, YOU) make me as un-unhappy as I get these days. I hope perhaps I can help you, too.
Maybe someday we can shelter out of the heat to talk about this thing that binds people together in the way ropes might, or even transplants, like giving one kidney to another. Yeah, that thing. I can’t describe it in any way by which someone else would understand it as I do (or don’t). Some people like that proximity that comes with being tied together, immobilized yet mobile or freely captive with another, feeling their heat, shivering with their cold, sharing the showers and sunshine as if they wear the same skin. They can construe it as “being together,” I guess. Until someday, somehow they cut those cords. I have seen many people walking around still attached to their walking shadow even after he out she has left them, one way or another. Other people can subsume, with proffered permission, the object of their visceral need after searching so long to find that perfect match, one fraught with the minimum amount of rejection, yet, only with diligent aftercare, most likely to keep them alive. They can live on together even after their partner in this organic life no longer can. Yet still, there is always that spectre of rejection, loss, need. The one thing both of these experiences share is how all involved are irreversibly changed by the experience. Maybe it’s the scars they can display or conceal, maybe even from themselves. Maybe it’s the memories of their partner’s touch, both on and within their skin, a heartbeat they feel even as they lie alone at night. But I’m no expert. I’ve walked this earth carrying a platter full of bite-size pieces of my marrow-rich thirteenth rib, like some faceless butler named Adam at a grand party of the interested and disinterested. Some have idly taken one piece just to wrap it in a napkin and toss it in the potted palm. Others have taken it with thanks and thought, “that’s different,” and moved on to bacon-wrapped shrimp. And for others I’ve placed one on their plates, wrapped in wordy ribbons with which they might secure it to themselves like pins for some needy charity. A couple have actually taken them to heart, but I moved on because this is a big room and a server’s duty calls. What do I know? Maybe this is why someday we might sit somewhere, with a batch of iced libation between us. Maybe it’ll be something different that we talk about when we talk about love.
Now that’s a ponderous bit of prose poem or maybe fictional one-sided conversation, free-written around my morning shower. The inspiration was brought to me when I needed it most and I have no idea from where the results come, but I thank my muse that they did. Unless you know Raymond Carver, you won’t recognize the title, though maybe you recognized it without my coming out and saying the word until right before the final period. Perhaps one day I’ll revise this unspoken “thing” for a more concise, or expansive, dive into the phenomenon that touches and changes us all. I chose purple for this note because it is the perfect mix of blood and the blues, both of which are sluggishly coursing through me right now, so I’ve been unsuccessful in giving you something to think (or talk) about. Let’s hope my over-the-transom inspirations cut a few more drops from me soon.
When I thought I stood strong,
you showed how I was brittle.
When I tried to be softer,
you crushed me at my middle.
When I made the effort to listen,
you would not converse.
When I reached out my hand,
you covered your eyes, and what’s worse…
When I opened to you my heart,
you closed yours forever.
When I pondered a way,
you wandered away with, “No, never.”
When I express this, my pain,
you think only of yours.
When I tell you I’m dying,
you ruminate merely on the wars…
When I told you I loved you,
never knowing how much life would be lost,
When I threw those parts of me away,
never caring how much the cost.
When I, some lonely evening,
come visit in your half-sleep,
When I will read my bad poetry,
some might still make you weep.
When I, tonight, take to my bed,
never certain I’ll awaken,
When I try recalling your face,
as so much from my memory’s taken.
When I do this, the good times
with you are so hard to find, that’s
When I remember, I’ve always kept you
in my heart, if not in my mind.
No stories every day or so, I’m afraid. Just more bad poetry, a rhyming disguise for self-examination of heart and mind. I wish I could do better for myself, as well as you, but these times are a struggle that only I can work through. So prepare yourself for more bad verse, which for some time may not get better, only worse. (Oh, lord….!!!) But I’m digging out this debris to find my RESET button. It’s just takes more time than I hoped when you use a pencil for a shovel.
Last I saw you was in that parking lot.
You waved and I almost cried like a tot
trying not to run after you once more
and rap on and open that car door.
Because you know I always would.
And now, since I can’t, I wish I could,
since I may have forgotten your face,
always stunning me with its beauty and grace.
Sure I have some photos,
but as reminders they’re no-goes
when I look at them through
the fish tank dripping of dew
you filled up in me
as surely as rivers do the sea.
You probably look unfamiliar
now anyway. As I look dissimilar
to the man you once knew
in whom you’d find trust and love for you.
Perhaps one day soon it would be better
if someone gave you some sense of this letter
telling you the man who loved you had died.
It wasn’t that I never cared enough or tried.
I’ll fade away with whatever memory I can save,
since you said goodbye with your last wave.
Day #28 of my poem a day challenge. A poem titled “‘_______’ Wave.” That’s all I’m saying.
There always was a you and me,
though there never could be an us.
That’s just how things shook out, you see,
and how I never was one to raise a fuss.
But it would never have worked out,
two loners changing but one letter to lovers.
Not that the fantasy never came about,
and still does, as over my bed it hovers.
Such couplings would require more than dreams,
more than hopes and baseless obsessions.
They need two-way connection between their two extremes,
not vague one-way mumbled confessions.
So I gave up that ridiculous desire,
longer ago than you’d imagine.
Yet I’m thankful for each time they still transpire,
fueling what passes for a feckless dreamer’s passion.
For Poem a Day Challenge Day #26, the prompt was for a Relationship poem. My track record for writing such pieces is long and tinted blue for its view of the unrequited. So here you go. One more link in the chain that locks me into the poetry game. I can figure out some of the who, what, when and why of these things. But why the rhyming? Search me. I just transcribe what that lovelorn loser in my head mumbles.
Sometimes I think I can see
each silver thread that surely
salts the darkness of your hair.
I surrendered to the silver
years ago. You touched it
with surprise and maybe wonder,
but never did see the value in it.
I’ve come to see that these threads
of silver as illuminating
the tapestry of our times here,
the life, loves, triumphs
and failures we have brought
upon ourselves and others.
I’ve the most treasure
stitched into my time-worn arras
concealing the truth of
our history. While I never
touched your silver threads,
I probably gave some to you
After spending five days on the road to and from North Carolina, to enjoy the opportunity to play with my littlest granddaughter, I have a lot of poems to make up for the Poem A Day Challenge. So here’s the belated Day #19 poem based on the prompt of using the title (My Choice) Thread. I wrote it immediately after crawling out of bed after making that 700-mile drive home last night. So bear with me if it’s as wonky as a road-weary rambler can ramble.
Fine, you don’t have to talk to me.
Show me the palm of your hand
and push me away. Your message
has always been clearer that way.
If we were to sit side by side,
face to face, I would only misconstrue
whatever flimsy bond of you and me
I could dream actually existing.
But I do long to feel your words
buffeting me like winds, freezing
and teasing, scolding and caressing,
their temperature and velocity
more important than their meaning.
They bump up against me and fall away
so that I must imagine their substance
and insinuation. But to not feel them
at all has left me voiceless,
spitting senseless utterances into a gale
where they become as lost as I am
perched here waiting to sense your meaning
if only you would speak to me once more.
Yes, I am the deaf ear to your words,
and it is I who will fall without them.
I am constantly coming closer to feeling I cannot make these clusters of words have any real meaning anymore. Be they poem or story, they lack the power, beauty and emotion of what I wrote even a couple of years ago, as far as I can tell. Maybe my misery has changed, beaten down by the silence I feel between me and the ones who fueled my creative flame. I would reach out for their words, kind or otherwise, but I’d only drop them before they reached the forge where I’d form them into something solid and shining. So you get rusty ore in this poem based on metaphor, the theme on this 15th day of April upon which I should be writing something better resembling poetry.